Employing dramatic use of shadow, night scenes, and voice-overs--as well as frequent shots of jagged skylines, dark street corners, and hidden crannies--the style revealed the underside of American life struggling to be heard amidst the existential clamor in the streets. In Somewhere in the Night: Film Noir and the American City, novelist and poet Nicholas Christopher uses the city as a vehicle for exploring the world of film noir, treating the urban setting more like a universal character than a mere backdrop for human action.
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